It still fills that role admirably although with the new expansive high-quality content, it’s bound to find its way into many a finished product.
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And for those who don’t care for setting up and adjusting the four microphones, an easy mix solution has been added with a simple close and far slider.ĭo You Really Need This? The idea behind the original Albion was to provide a sketching tool for cinematic orchestral mock-ups. The Ostinatum, a brilliant tool for generating repeated rhythmic patterns, is still there and a new ‘lush verb’ slider has been added for extra reverb. The GUI has been redesigned and the controls and text are much easier to read. Because Albion is so good at providing powerhouse orchestral sounds, though, many composers working to a budget have used it in their final productions. Nevertheless, this approach is ideal for sketching out arrangements quickly, something that Spitfire was keen to emphasise in the original version. Instead of individual sections, they’re combined – high strings, low strings, high brass, low brass and so on.Īlthough this works well with strings and brass, combined woodwind sections with instruments of very different timbres lumped together can, at times, sound a touch organ-like. It’s all new material, but those patches that couldn’t be improved upon are tucked away in legacy folders.Īll Together Now As with the original library, Albion One provides a broad brush approach to composing with a sampled orchestra. The Darwin percussion was also re-recorded, and the Brunel loops and evocatively named Stephenson’s Steam Synth were redesigned.
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The orchestra was larger this time round (109 players) and more articulations were captured, along with a host of string runs. Until then, Project SAM’s Symphobia ruled the roost when it came to orchestral sample libraries developed specifically for cinematic productions.Īlbion went on to become a best seller and Spitfire followed up with numerous string and orchestral libraries, gaining valuable experience in the process – so much so that it decided to revisit the Albion concept and record a new, improved version, rather than just updating it. When the first version of Spitfire’s Albion appeared back in 2011, it caused quite a stir.